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Moonshot: The Indigenous Comics Collection, Volume 2

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The stories in MOONSHOT Volume 2 will take you on a journey from this world, to worlds beyond! Volume 2 of the MOONSHOT collection centers around present-day indigenous spirituality and tradition. You will see what life and wonders exist now on this Earth, the spirit world, alternate dimensions and more through this gorgeous collection of original indigenous comic/graphic n The stories in MOONSHOT Volume 2 will take you on a journey from this world, to worlds beyond! Volume 2 of the MOONSHOT collection centers around present-day indigenous spirituality and tradition. You will see what life and wonders exist now on this Earth, the spirit world, alternate dimensions and more through this gorgeous collection of original indigenous comic/graphic novel stories. Each of the 15 short stories included in this c.200 page volume will be based on a tradition from the author's own tribe/community. These stories highlight present-day traditions, and diversity, in indigenous peoples today. With each story adapted into comic book/graphic novel format by award-winning artists and illustrators, MOONSHOT Volume 2 is sure to amaze, intrigue and entertain! Volume 1 of the Indigenous Comics Collection was awarded the title "The Best Book of 2015" by the School Library Journal - the largest book reviewer in the world. The book also won the Bronze Medal Award for "Best Graphic Novel" at the 20th Annual Independent Publisher's Awards. We are extremely honoured and excited to be working with another huge list of award-winning authors and artists on this Volume 2, including: Artist Jeffrey Veregge (Red Wolf, G.I. Joe, Transformers) Artist Stephen Gladue (Cree Dancer) Authors Sean & Rachel Qitsualik-Tinsley (Lesson of the Wolf, Ajjitt) Artist David Mack (Kabuki, Fight Club, Daredevil) Author Elizabeth LaPensee (Copper Heart, The Observing) Artist Haiwei Hou (Two Brothers, Ochek) Illustrator Fred Pashe (SpiritWolf) Artist menton3 (The Memory Collectors, X-Files, Silent Hill: Past Life) Author Richard Van Camp (Tlicho Naowo, Three Feathers) Artist Scott B. Henderson (Blanket of Butterflies, The Chronicles of Era) Author Deborah L. Delaronde (Emma's Gift, Metis Spirits) Artist Alexandria Neonakis (Sweetest Kulu, Uncharted4) Artist Ryan Huna Smith (Tribal Force) Artist Steve Keewatin Sanderson (Darkness Calls, Journey of the Healer) Artist Weshoyot Alvitre (Little Nemo, Native American Classics) And more!


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The stories in MOONSHOT Volume 2 will take you on a journey from this world, to worlds beyond! Volume 2 of the MOONSHOT collection centers around present-day indigenous spirituality and tradition. You will see what life and wonders exist now on this Earth, the spirit world, alternate dimensions and more through this gorgeous collection of original indigenous comic/graphic n The stories in MOONSHOT Volume 2 will take you on a journey from this world, to worlds beyond! Volume 2 of the MOONSHOT collection centers around present-day indigenous spirituality and tradition. You will see what life and wonders exist now on this Earth, the spirit world, alternate dimensions and more through this gorgeous collection of original indigenous comic/graphic novel stories. Each of the 15 short stories included in this c.200 page volume will be based on a tradition from the author's own tribe/community. These stories highlight present-day traditions, and diversity, in indigenous peoples today. With each story adapted into comic book/graphic novel format by award-winning artists and illustrators, MOONSHOT Volume 2 is sure to amaze, intrigue and entertain! Volume 1 of the Indigenous Comics Collection was awarded the title "The Best Book of 2015" by the School Library Journal - the largest book reviewer in the world. The book also won the Bronze Medal Award for "Best Graphic Novel" at the 20th Annual Independent Publisher's Awards. We are extremely honoured and excited to be working with another huge list of award-winning authors and artists on this Volume 2, including: Artist Jeffrey Veregge (Red Wolf, G.I. Joe, Transformers) Artist Stephen Gladue (Cree Dancer) Authors Sean & Rachel Qitsualik-Tinsley (Lesson of the Wolf, Ajjitt) Artist David Mack (Kabuki, Fight Club, Daredevil) Author Elizabeth LaPensee (Copper Heart, The Observing) Artist Haiwei Hou (Two Brothers, Ochek) Illustrator Fred Pashe (SpiritWolf) Artist menton3 (The Memory Collectors, X-Files, Silent Hill: Past Life) Author Richard Van Camp (Tlicho Naowo, Three Feathers) Artist Scott B. Henderson (Blanket of Butterflies, The Chronicles of Era) Author Deborah L. Delaronde (Emma's Gift, Metis Spirits) Artist Alexandria Neonakis (Sweetest Kulu, Uncharted4) Artist Ryan Huna Smith (Tribal Force) Artist Steve Keewatin Sanderson (Darkness Calls, Journey of the Healer) Artist Weshoyot Alvitre (Little Nemo, Native American Classics) And more!

30 review for Moonshot: The Indigenous Comics Collection, Volume 2

  1. 4 out of 5

    Rod Brown

    I was worried after reading the first two stories in this collection -- vague and weird tales by a few of the only authors who also contributed to the first volume -- but the quality picked up with the third story by a new author about the power of hair and friendship. The rest of the volume was mostly new writers also, and I generally enjoyed or admired their tales of indigenous people in the past, present and future. The ratio of indigenous creators improved with this volume to two-thirds, with I was worried after reading the first two stories in this collection -- vague and weird tales by a few of the only authors who also contributed to the first volume -- but the quality picked up with the third story by a new author about the power of hair and friendship. The rest of the volume was mostly new writers also, and I generally enjoyed or admired their tales of indigenous people in the past, present and future. The ratio of indigenous creators improved with this volume to two-thirds, with the non-indigenous mostly providing art for a majority of the stories. I'll be picking up the third volume at the library this afternoon.

  2. 5 out of 5

    Karl

    In my opinion, this volume was stronger than the excellent Moonshot Volume 1. The creator’s roster was star studded and they created a wonderful array of indigenous stories from a variety of Nations. My favourite stories were the Anishnaabe thunderbird from Aamjiwnaang First Nation. I live a few hours from here and being Anishnaabe myself I was touched by the power of Elizabeth LaPensee’s writing and Richard Pace’s illustration. David Alexander Robertson (Cree) , Richard Van Camp (Tlicho Dene), In my opinion, this volume was stronger than the excellent Moonshot Volume 1. The creator’s roster was star studded and they created a wonderful array of indigenous stories from a variety of Nations. My favourite stories were the Anishnaabe thunderbird from Aamjiwnaang First Nation. I live a few hours from here and being Anishnaabe myself I was touched by the power of Elizabeth LaPensee’s writing and Richard Pace’s illustration. David Alexander Robertson (Cree) , Richard Van Camp (Tlicho Dene), Jeffery Veregge (S’Klallum), David Cutler ( Mi’kmaq) were my favourite contributors from the team of 30 who put these 15 stories together. Both volume 1 and 2 are incredible collections. The art, writing, colouring are all fantastic. There is so much love and care put into the production of these books and I feel as though the whole world should read them.

  3. 4 out of 5

    Jarrah

    When friends of mine are getting into comics, or I meet new friends who are into comics, the first book I've been recommending has been Moonshot: The Indigenous Comics Collection, Volume 1, for its imaginative storytelling, mind-blowing art, and important perspectives. I was so pleased that this follow-up while different, lived up to those aspects of Volume 1. If Volume 1 gave us multiple compelling visions of Indigenous futures, Volume 2 is more focused on the urgent problems of our world today. When friends of mine are getting into comics, or I meet new friends who are into comics, the first book I've been recommending has been Moonshot: The Indigenous Comics Collection, Volume 1, for its imaginative storytelling, mind-blowing art, and important perspectives. I was so pleased that this follow-up while different, lived up to those aspects of Volume 1. If Volume 1 gave us multiple compelling visions of Indigenous futures, Volume 2 is more focused on the urgent problems of our world today. Several stories, like "The Boys Who Became the Hummingbirds", "Water Spirits" and "Bookmark" paint haunting picture of environmental and cultural devastation, along with the hope to be found in traditional Indigenous knowledge. Other highlights in the collection were the gorgeous, sci-fi-infused stories "Winter's Shell" and "Journeys." All the stories do an excellent job of both moving and informing the audience, and actively demonstrating the resilience and power of Indigenous knowledge and culture.

  4. 4 out of 5

    Csenge

    I would love to read some of these stories in a longer format, as their own separate volume. I think that says a lot in itself about how much I liked this collection This second volume lives up to the first, or even goes beyond it in some ways. It has longer chapters (or at least that's how it feels) that result in more rounded stories; they definitely struck me more and stayed with me longer told in this format. Visually the whole volume is gorgeous, and shows a wide ranges of styles and genres. I would love to read some of these stories in a longer format, as their own separate volume. I think that says a lot in itself about how much I liked this collection This second volume lives up to the first, or even goes beyond it in some ways. It has longer chapters (or at least that's how it feels) that result in more rounded stories; they definitely struck me more and stayed with me longer told in this format. Visually the whole volume is gorgeous, and shows a wide ranges of styles and genres. It connects to current issues in many ways, and speaks in the present tense about various cultures, even when it works with ancient traditions, which is refreshing and intriguing. I especially loved the hummingbird story, which was visually amazing, and very touching.

  5. 4 out of 5

    Keenan Crone

    A must have for anyone who enjoys indigenous storytelling. The last few stories aren't quite as polished as the rest, but the majority of these are brillantly written and drawn. They take either indirectly or directly from stories passed down by oral traditions. Each one speaks directly to the heart and the modern interpretations give much commentary for our world today. A must have for anyone who enjoys indigenous storytelling. The last few stories aren't quite as polished as the rest, but the majority of these are brillantly written and drawn. They take either indirectly or directly from stories passed down by oral traditions. Each one speaks directly to the heart and the modern interpretations give much commentary for our world today.

  6. 4 out of 5

    Lyn

    This is an excellent collection, and I'm delighted to have backed it on Kickstarter. I hope there are more in the future. This is an excellent collection, and I'm delighted to have backed it on Kickstarter. I hope there are more in the future.

  7. 5 out of 5

    Malcolm

    The Moonshot project has set out to raise the profile of ‘comics’ by Indigenous writers from those territories claimed by Canada and the USA. Like the first volume, this presents narrative illustration (hence the sneer marks on ‘comics’, even though I get the desire to rehabilitate the term) as shaped and grounded in Indigenous experience and world views although the genre vary each story has a powerful contemporary feel, and potent engagement with social and political issues of the day, althoug The Moonshot project has set out to raise the profile of ‘comics’ by Indigenous writers from those territories claimed by Canada and the USA. Like the first volume, this presents narrative illustration (hence the sneer marks on ‘comics’, even though I get the desire to rehabilitate the term) as shaped and grounded in Indigenous experience and world views although the genre vary each story has a powerful contemporary feel, and potent engagement with social and political issues of the day, although many do this in subtle, allusive ways. We get unemployment and queerness, environmental despoliation and historical reassertion, the presence of the past in nearly that happens alongside sharp insight to predators, spiritual and material. The editors have done an excellent job of matching writers and illustrators, where for instance Haiwei Hou’s richly detailed images enrich and empower Richard Van Camp’s wonderful ‘Water Spirit’ while Rossi Gifford’s manga-esque style unsettles the psychic predator in Darice Little Badger’s ‘Worst Bargain in Town’. The two that stood out for me stylistically were Alexandria Neonakis’s pale pastels supplementing Sean and Rachel Qitsualk-Tinsley’s haunting tale of shamanic symbolism in ‘Winter’s Shell’, and the almost monochrome world of Natasha Alterici’s work in David Alexander Robertson’s ‘Bookmark’, based in ideals of wellbeing and approaches to suicide prevention. It feels a bit unkind to draw out these ones, but that’s as much to do with the visuals and anything and highlighting the matching of illustrators and writers sidelines the wonderful post-apocalyptic ‘Where We Left Off’ written and drawn by Steve Keewatin Sanderson. Equally, is suggests that the others are not so strong – but I adored ‘The Boys Who Became Hummingbirds’ (Daniel Heath Justice and Weshoyot Alvitre) and ‘They Who Walk As Lightning’ (Elizabeth LaPensée and Richard Pace) for their power ad their hope. It’s a fabulous collection, and hopefully a series that continues (past the third volume recently published).

  8. 4 out of 5

    Becki Iverson

    I found this even better and more accessible than the first Moonshot volume, and I really hope this series continues. It's such a beautiful way for those of us who are unfamiliar to first encounter legends of the First Nations and Native American tribes, and a gorgeous visual celebration of their traditions. Growing up in Minnesota I do know a fair amount about the local tribes that originated here, but these open my eyes to how truly widespread and diverse the experience of indigenous peoples i I found this even better and more accessible than the first Moonshot volume, and I really hope this series continues. It's such a beautiful way for those of us who are unfamiliar to first encounter legends of the First Nations and Native American tribes, and a gorgeous visual celebration of their traditions. Growing up in Minnesota I do know a fair amount about the local tribes that originated here, but these open my eyes to how truly widespread and diverse the experience of indigenous peoples is across the Americas. A lot of these tie back to foundational myths, which I think is part of the reason I found them so accessible. I truly enjoyed this and will certainly be picking up future anthologies should they be produced.

  9. 4 out of 5

    feux d'artifice

    I had a lot of respect for the first volume collection so I was pretty excited to try volume two, and it still managed to blow all expectations out of the water. The story and art all levelled up, the emotional impact was incredible, would highly, highly recommend. particular favourites: Winter's Spell (CRY FROM FEELS) and Ka'tepwa: Who Calls (TEAAAAR) I had a lot of respect for the first volume collection so I was pretty excited to try volume two, and it still managed to blow all expectations out of the water. The story and art all levelled up, the emotional impact was incredible, would highly, highly recommend. particular favourites: Winter's Spell (CRY FROM FEELS) and Ka'tepwa: Who Calls (TEAAAAR)

  10. 5 out of 5

    Candice

    This is another great anthology of indigenous comics and stories. While I think Volume 1 was a bit more consistent, this book really have us a lot of stories that had only been told previously through oral traditions. Some stories seemed to translate better than others to this medium. Still a good book full of a variety of art from indigenous creators.

  11. 5 out of 5

    Michelle

    I loved this even more than Volume 1 (which I also loved). There is something urgent in the stories here about, for lack of a better word in English, stewardship, and there is deep love in the stories about family and community. I hope there's a volume 3! I loved this even more than Volume 1 (which I also loved). There is something urgent in the stories here about, for lack of a better word in English, stewardship, and there is deep love in the stories about family and community. I hope there's a volume 3!

  12. 4 out of 5

    Shannon

    Excellent collection yet again! I loved how the comics included an intro which provided context of the story. So many wonderful stories. Looking forward to reading the third volume.

  13. 5 out of 5

    Leslie Ann

    Both the stories and art are varied and of high quality. We need more collections like this one.

  14. 5 out of 5

    Avery Delany

    Review to come - it's a phenomenal collection though and you should support it <3 Review to come - it's a phenomenal collection though and you should support it <3

  15. 5 out of 5

    Katie

    Vol 2 of this collection was just as phenomenal as Vol 1. I highly recommend if you enjoy graphic novels. Now on to Vol. 3!!

  16. 4 out of 5

    Aris Merquoni

    Also terrific, a great follow-up to the first volume with more terrific stories traditional and new.

  17. 4 out of 5

    Tammy

    Another stunning collection of old stories told in modern ways.

  18. 5 out of 5

    Tracy

    I must say, I didn’t “get” all the stories but I still appreciated reading them, the connections they make and the lessons they tell. The visuals were varied and interesting.

  19. 4 out of 5

    Jaq

    Timely and informative. Let us take the time to reflect on the lessons contained within this collection.

  20. 4 out of 5

    Rachael Arsenault

    Another excellent collection! I was sad when I turned the last page and realized I had read all the comics in the Moonshot anthologies - I hope to see a volume 3 sometime soon in the future!

  21. 5 out of 5

    Jordyn

    I liked Vol 1 a lot more

  22. 4 out of 5

    Daniel

    Book Riot Read Harder Challenge 2021 Task #10: Read an SFF anthology edited by a person of color

  23. 5 out of 5

    ElphaReads

    When I first read the book MOONSHOT: THE INDIGENOUS COMICS COLLECTION, I was hoping that there would be a second one. The stories, showcasing Indigenous voices from North America, all have distinct styles, narratives, and histories that I really enjoyed. So it's awesome that MOONSHOT VOLUME 2 came to fruition, with Hope Nicholson editing it to bring a new group of Indigenous voices and stories to the page. I really enjoyed this collection, even more so than the first. Gnd given how much I liked When I first read the book MOONSHOT: THE INDIGENOUS COMICS COLLECTION, I was hoping that there would be a second one. The stories, showcasing Indigenous voices from North America, all have distinct styles, narratives, and histories that I really enjoyed. So it's awesome that MOONSHOT VOLUME 2 came to fruition, with Hope Nicholson editing it to bring a new group of Indigenous voices and stories to the page. I really enjoyed this collection, even more so than the first. Gnd given how much I liked the first that says something! It's hard to pick my favorites in this collection, but I'm going to try. WORST BARGAIN IN TOWN by Darcie Little Badger, Rossi Gifford (Ill.) This story concerns two Lipan women named Kat and Laura who notice that a new white hairdresser has come to town, and is giving a lot of haircuts. The hairdresser asks them if they want a cut, but they decline, as their hair is very much part of their culture. When Kat goes to investigate, the hairdresser is far more menacing than she seems. I liked how fun and upbeat the art was in this story, and I really enjoyed the metaphor of white appropriation and marginalization through the cutting of hair and the absorbing of Indigenous traditions. THE BOYS WHO BECAME HUMMINGBIRDS by Daniel Heath Justice and Weshoyet Alvitre (Ill.) This story takes a Cherokee myth about a medicine man turning into a hummingbird to heal his community, and gives it an LGBTQIA spin. A 'strange man' is shunned by his community for being different, and doesn't find companionship until another man from the town seeks him out and they start a relationship. Through their love they turn into hummingbirds during the day and return to their human form at night. As they travel back to their town in hummingbird form, they see others who have hummingbirds inside of them as well. This story was simply lovely, and it brought a tear to my eye with the hope and love that it had at it's heart. The illustrations were also gorgeous, with vibrant colors and lots of emotional depth in the drawings of the two lovers. I think this was my favorite story in the collection. WATER SPIRITS by Richard Van Camp and Haiwei Hou (Ill.) One of the most relevant issues when it comes to Indigenous rights is that of water rights, with NODAPL and other pipeline protests being huge issues in recent months and years. This story is about a school group going to visit an old mine in Canada, and the tour that is given to them by their guide. This story involves the consequences of capitalism at the expense of the Earth, and how we value non essential things (like gold) over the most essential (like water). This is a simple story that has a very clear and strong message, and the artwork is INCREDIBLY unique, almost Roto-scope-esque. But there are so many more good stories in here, from straight up folklore to sci-fi adventures to more meditations on water rights. If you haven't read either MOONSHOT collection, please please PLEASE do yourself a favor and do so!! It's just so good!

  24. 5 out of 5

    Meepelous

    Content Notes for: environmental racism, colonialism, missing and murdered Indigenous women, and the judicial system. I'll also note that Hope Nicholson was the editor on this volume. She has since (to the best of my knowledge) removed herself from comics editing and publishing after being named in a sexual assault allegation. I know that some people will not want to read a book with her name on it as a result of this, and that's valid and another reason to check out volume three as she was repla Content Notes for: environmental racism, colonialism, missing and murdered Indigenous women, and the judicial system. I'll also note that Hope Nicholson was the editor on this volume. She has since (to the best of my knowledge) removed herself from comics editing and publishing after being named in a sexual assault allegation. I know that some people will not want to read a book with her name on it as a result of this, and that's valid and another reason to check out volume three as she was replaced. Personally, I already owned the book and really think the content is worth talking about.  Flipping through the creator bio section, this book includes Alina Pete (Cree), Armand Garnet Ruffo (Ojibway heritage), Daniel Heath Justice (Cherokee), Darcie Little Badger (Apache), David A Robertson (who I recently profiled) (Cree), David Cutler (Mi'kMaq), Elizabeth LaPensée (who took over as editor in volume 3) (Anishinaabe and Métis), Fred Pashi (Long Plain/Dakota Tipi First Nation), Gerard and Peta-Gay Roberts (Arawak), James Leask (Métis), Jeffrey Veregge (Port Gamble S'Klallam Tribe), Kim Hunter (Métis heritage), Michael Sheyashe (Caddo Nation), Richard Pace (Métis Ancestry), Richard Van Camp (Tlicho Dene), Sean and Rachel Qitsualik-Tinsley (Scottish-Mohawk and Inuit-Cree respectively), Stephen Gladue (Métis), Steve Keewatin Sanderson (Plains Cree), Tanya Tagaq (Inuit), and Weshoyot Alvitre (Tongva/Scots-Gaelic). Other none Indigenous artists involved, include Alexandria Neonakis, David Mack, Haiwei Hou, Menton3, Natasha Alterici, Nicholas Burns, Peter Dawes, Rossi Gifford, Scott Henderson, and Trudi Caslte. What kinds of keywords came to mind reading this anthology? Community, home, all our relations, tradition, future, hope, and love.  While the art and writing styles vary a lot throughout the collection, I found them all very appealing. Plus, it's in full colour. I feel like this is more common these days, but that was something that initially really set this anthology apart. Gender and sexuality representation was fairly diverse both on the creator side and in the stories. Race was obviously central to the collection. That said, as the description points out and my list of creators highlighted, this collection also shows the diversity of traditions and experiences across people Indigenous to Turtle Island. Some stories did highlight issues of class. As usual, it felt like ability was largely assumed and there was not really anything outside of that. To conclude, rating re-reads always feels a bit tricky, especially because it feels like each volume of this series has set a new standard. I think I will go with four out of five stars, to better reflect how it compares to what I'm reading now.

  25. 5 out of 5

    Jack

    Beautiful collection of stories based on indigenous peoples’ stories by indigenous writers and artists, covering traditional and current subjects in a new way. I bought it mostly for Tanya Tagaq, but the whole thing is amazing. Even better than Vol 1.

  26. 4 out of 5

    Rachel

    Probably the most beautiful art I've ever seen in a comics collection. So many incredible stories, drawing on oral tradition and modern experiences. Probably the most beautiful art I've ever seen in a comics collection. So many incredible stories, drawing on oral tradition and modern experiences.

  27. 5 out of 5

    Variaciones Enrojo

    Proyecto de la segunda antología Moonshot de salida estimada para principios de 2017.

  28. 5 out of 5

    Michelle

  29. 4 out of 5

    Kelly

  30. 5 out of 5

    R

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